No work of literary art is ever created without a conflict without a crisis in the history of world literature. At the sometime no work of literary art is ever conceived and developed without reconciliation. Both conflicts and reconciliation do always form an integral part of a work of art. Some literary works may begin on a note of a conflict or a crisis and end with a possible reconciliation. This paper deals how Milton’s greatest epic in English language Paradise Lost thrives itself on a gamut of conflicts and a series of reconciliations that are brought about in important books namely book – I, II and IX. Keywords: Transgressions, Conflicts, Reconciliations, Fraudulent Enemy, Soliloquies etc.
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- THE ENGLISH RESEARCH EXPRESS / ISSN:2321-1164 (Online); 2347-2642 (Print)
- TRANSGRESSIONS, CONFLICTS AND RECONCILIATIONS IN JOHN MILTON’S 'PARADISE LOST' (Pages 68-75) by Mr. A. N. Guru Prasad in THE ENGLISH RESEARCH EXPRESS / ISSN:2321-1164 (Online); 2347-2642 (Print)
TRANSGRESSIONS, CONFLICTS AND RECONCILIATIONS IN JOHN MILTON’S 'PARADISE LOST' (Pages 68-75) by Mr. A. N. Guru Prasad in THE ENGLISH RESEARCH EXPRESS / ISSN:2321-1164 (Online); 2347-2642 (Print)
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ERE.2014/1St.Qr-09/68.75/112
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